She Sleeps in the Depths by William Meikle: A man named Fallon gets an earworm, a sea-shanty of sorts. Close Encounter style, he takes a ship up north, and meets with a woman who hears the same tune in her head. And off they go, in search of the source somewhere out at sea.
A Lovecraftian tale, She Sleeps in the Depths has a great atmosphere; the pared-down, detached greyness of it all reminds me of Nordic noir crime novels. The writing’s strong throughout, and a mention of the ship’s karaoke hell certainly strikes a chord in anyone who’s ever travelled on the ferries in Northern Europe. **** (4/5)
Better Heard and Not Seen by Michael Penkas: A boy believes there’s a monster in his closet. Soon as he’s gone to bed, something comes out of the closet and climbs in the bed with him. But it’s not the monster.
Surely it cannot get any more traditional than this. It’s an old-fashioned story that feels almost like a lost classic from an earlier age. The story gets a lot out of its overtly familiar premise, and the writing’s good, but all in all it’s still a very simple story. *** (3/5)
Carrion Fowl by William R. Eakin: People suddenly mutate into some sort of cannibalistic flying creatures with beaks and everything, and then they fly around eating people and each other and going “wrocckkkk!”
It’s a nice juxtaposition, putting this after the most traditional story here! What a weird story this is. There’s not really much plot, mostly we follow a couple as they start their new posthuman lives as some sort of pterodactyls. They also seem to go insane in the process, relishing their new reality with epic phrases (the writing’s excellent, but some sections go on for a bit too long) and really going about it all like it’s actually quite natural to turn into a monster. Would’ve fit nicely in the Cthulhu’s Reign anthology. ***½ (3.5/5)
Jaws of Life by E.G. Smith: A salesman rolls his car over on a remote stretch of road and gets stuck upside down, unable to move. Scruffy children find him, but they don’t call for help.
It’s a limited setup; the whole story is set inside the turned-over vehicle, with the reader seeing only what the main character sees through his window. At first the story feels like a Lord of the Flies kind of thing, but ultimately it may be more related to Richard Laymon. A well-executed tale that reveals its secrets slowly, with a nice, nasty, pitch-black final twist. **** (4/5)
Netherview by Gary McMahon: As a lark, a couple visit a home showing at a new residential area built on the site of an old asylum. Leaving, they find their car wrecked, and the gate of the compound locked.
The situation is weird, as in almost Ligottian. The residential area is empty, the phones don’t work and it almost feels like a trap designed to lure people… for what purpose? For food? There’re glimpses of something, possibly some creature, but it never gets near enough to allow for any details. Luckily, since the story works better with just the characters and their growing confusion and fear. The final desperate escape attempt with its possibly fatal consequences is far scarier than any imaginary monster could be. ****½ (4.5/5)
Children of the Horned God by Christopher Fulbright: A horned creature grabs a man’s wife. Some time later, the man begins to hunt the creature, and in the process uncovers some secrets about his fellow citizens.
It’s all very eighties in style, with a Satanic style coven, hints of paganism (Herne is referred to, there are trees with faces etc) and even some Lovecraftian overtones. There’s a lot going on, a lot of cheese, with scenes upon scenes of convenient pulpy revelations. It’s all kind of good, but there simply might be a little too much good stuff here, at least for a short story (you could make several lurid eighties horror novels out of these ingredients). A more straightforward storyline, with a little more normalcy and less cheese would’ve probably made more of an impact. **½ (2.5/5)
Anthology rating, rounded up: **** (4/5)
Published in March 2014 by DarkFuse.